March 2023 Book, The Known World
Talk About Books meets every third Wednesday of the month at 6:30 at Guilford Free Library. There is a zoom option available, though most people are attending in person.
FRIEDRICH ENGELS once said that he learned more about postrevolutionary French society from Balzac than from ''all the professed historians, economists and statisticians of the period together.'' The same might be said of slavery in America and Edward P. Jones who writes about its history not as if it were fixed in time, safely over and done with, but as if anything could happen in the chaos of the moment.
The Known World opens with the death of a master of 33 slaves in antebellum Virginia. None of his property grows teary-eyed, though, at the news that Henry Townsend has died. They surely don't know that when he obtained his first slave he wanted to be ''the kind of shepherd master God had intended,'' someone who would provide ''good food for his slaves, no whippings, short and happy days in the fields.'' By his death, he had learned his lesson. It seems he had no choice but to chain a runaway slave in his barn and pay a Cherokee patroller to slice a third of his ear off. A familiar story, perhaps, so far. There's a difference, though. Henry Townsend is black.
In 1855 in Manchester County, Va. (a fictional place standing in for an actual historical landscape), we learn that ''there were 34 free black families . . . and eight of those free families owned slaves.'' Henry Townsend's freedom had been purchased by his father, Augustus, a carpenter who bought his own freedom with money earned from his carvings and furniture, then over time bought his wife and son out of slavery. Henry himself financed his first slaves by making boots and shoes. But why would a former slave himself buy slaves, especially against the wishes of his father? Though the novel never explicitly addresses this question, readers get the message: because slavery was legal and believed to be sanctioned by God, because wealth and status consisted in owning human flesh -- and because Henry ''wanted to be a better master than any white man he had ever known.''
There are few certified villains in this novel, white or black, because slavery poisons moral judgments at the root. As Jones shows, slavery corrupts good intentions and underwrites bad ones, yet allows decency the odd occasion -- but only by creating such an enormous need for it.
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